Theatre Reviews
Dramatic Exchanges review - a brilliant slice of theatre historySunday, 11 November 2018
Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between National Theatre people. Read more... |
The Hoes, Hampstead Theatre review - sex and drink and grimeSaturday, 10 November 2018
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now has a much stronger cultural presence than at the start of the decade. Read more... |
Don Quixote, Garrick Theatre review - riotous revival of Cervantes' much-loved chivalric taleFriday, 09 November 2018
Don Quixote and his paunchy sidekick long ago escaped the pages of Miguel de Cervantes' novel. The image of the sad-faced knight on his bony nag Rocinante with his companion Sancho Panza atop his donkey are familiar in film, opera, paintings and everything from kitchen tiles to cartoons and furnishing fabric. The knight himself foretold their afterlife, predicting that his exploits would be memorialised in paintings and sculpture. Read more... |
Romeo and Juliet, Barbican review - plenty of action but not enough wordsWednesday, 07 November 2018
It’s clear from the start – from a Prologue that quickly dissolves familiar rhythms and words into a Babel of clamour and sound. Read more... |
White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High RoadWednesday, 07 November 2018
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith's classic White Teeth as part of the Kiln's opening season. Read more... |
Still No Idea, Royal Court review - spiky, funny, and politically pointedTuesday, 06 November 2018
To the recent spate of shows that put their own narrative-building first, we can now add Still No Idea, with the addendum that this self-penned two-hander may be the funniest and fiercest of them all to date. Read more... |
ear for eye, Royal Court review - powerful and passionate anti-racismFriday, 02 November 2018
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast. Which is exactly what debbie tucker green’s amazingly ambitious new epic, which straddles centuries and continents, succeeds in doing. Read more... |
Honour, Park Theatre review - an assault on complacencyFriday, 02 November 2018
Adultery seldom looks less adult than in the form of the mild-life crisis – that much-satirised condition in which desire is eclipsed by delusion, wisdom by foolishness, and sensible coats by leather jackets. Read more... |
I and You, Hampstead Theatre review - Young Adult drama packs emotional punchTuesday, 30 October 2018
Here's a good pub quiz question: after Shakespeare, who was the most performed playwright in America last year? Arthur Miller? Tennessee Williams? David Mamet? None of those. Read more... |
The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliantThursday, 25 October 2018
Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned into the most scalding production in many a year by Robert Icke, here in career-surpassing form. Playing James Ekdal, the photographer previously known as Hjalmar, Hogg disarms you from the outset with a bonhomie just waiting to snap. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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