Theatre Reviews
h 100 Young Influencers of the Year: Hannah Greenstreet on Three SistersFriday, 24 August 2018
Dear RashDash, Read more... |
Edinburgh Festival 2018 reviews: La maladie de la mort / The End of EddyWednesday, 22 August 2018
La maladie de la mort ★★★ Toxic masculinity in all its appalling variety is a hot topic across Edinburgh’s festivals this year – just check out Daughter at CanadaHub and even Ulster American at the Traverse for two particularly fine and shocking examinations. Read more... |
Edinburgh Festival 2018 reviews: Orpheus / Bottom / BackupFriday, 17 August 2018
Orpheus ★★★★ Read more... |
Emilia, Shakespeare's Globe review - polemic disguised as a playThursday, 16 August 2018
It feels like Michelle Terry’s first summer season at the Globe has been building up to Emilia for a while now. The theme is Shakespeare and race, so Othello was something of a given. It's joined by The Winter’s Tale, as if the Emilias of these two plays have been waiting for their chance to step into the spotlight. Read more... |
Edinburgh Festival 2018 reviews: Nigel Slater's Toast / StatusTuesday, 14 August 2018
Nigel Slater's Toast ★★★★ Read more... |
Edinburgh Festival 2018 reviews: Daughter / Huff / First Snow/Première NeigeMonday, 13 August 2018
Launched just last year to celebrate the country’s 150th anniversary, CanadaHub has quickly become one of the Edinburgh Fringe’s most exciting and intriguing venues, presenting a small but richly provocative programme of work from across that vast country. Here are just three of its offerings this year. Read more... |
Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertainingSaturday, 11 August 2018
The resplendent partnership of Alan Menken and Howard Ashman – which produced Disney hits Aladdin, Beauty and the Beast and The Little Mermaid – first took root with this 1982 Off-Broadway musical, based on a low-budget Sixties film, about a man seeking love and fortune via a bloodthirsty plant. Read more... |
Aristocrats, Donmar Warehouse review - fresh but unevenFriday, 10 August 2018
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel's best work, but you can see why it might apply to Aristocrats, his 1979 play which premiered at the Abbey Theatre in Dublin before becoming a contemporary classic. You can count off the elements that remind you of the Russia master: decaying estates, feckless toffs, wistful longings and missed opportunities. Read more... |
Homos, or Everyone in America, Finborough Theatre review - a complex pattern of glee and profundityFriday, 10 August 2018
I’m still not entirely sure what the full associations of the title of New York playwright Jordan Seavey’s new play – its second element, at least: the first speaks for itself – may be, but with writing this accomplished any such uncertainties fall away. Read more... |
Edinburgh Festival 2018 reviews: Underground Railroad Game / On the ExhaleFriday, 10 August 2018
Underground Railroad Game ★★★★★ Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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