sun 18/05/2025

New Music Reviews

Music Reissues Weekly: Duffy Power - Innovations, Live at the BBC

Kieron Tyler

Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963 and released on 1 November. Thanks to The Beatles, the Stones charted for the first time. A Liverpool-London, north-south divide had been breached.

Read more...

Kreator, Chalk, Brighton review - an invigoratingly relentless assault

Thomas H Green

Mille Petrozza is roaring into the mic, teeth gritted, black hair flailing. Behind his growl-screeching a triumphant martial riff is holding the “tune” and behind that, never-ceasing drum beats, an exercise in pure velocity.

Read more...

Ladytron, SWG3, Glasgow review - synth stars show time hasn't diminished their relevance

Jonathan Geddes

It is a sign of Ladytron’s longevity and relevance that their support acts are now performers clearly inspired by the quartet. Elisabeth Elektra, here picked for opening the night in her home city, may not have the icy cool of the evening’s headliners, but the lineage of her buoyantly loud electro pop was clear.

Read more...

Music Reissues Weekly: Heavy Metal Kids - The Albums 1974-76

Kieron Tyler

The booklet coming with The Albums 1974-76 notes Johnny Rotten saw Heavy Metal Kids live and that the Sex Pistol “ripped off” their frontman Gary Holton. It's an assertion in keeping with a default option where the HMKs are referred to as a precursor band to punk – one helping to lay the table for it.

Read more...

Lucia and the Best Boys, SWG3, Glasgow review - a celebratory homecoming for rising star

Jonathan Geddes

Jessica Winter is clearly a hardy soul. The Portsmouth singer made a point of shedding her jacket and top as her support set went on, a bold choice given the typically unpredictable Glasgow weather was serving up freezing snow outside at the time.

Read more...

Album: Fever Ray - Radical Romantics

Kieron Tyler

According to the press release for Karin Dreijer’s third album as Fever Ray, its completion was preceded by many hours of therapy with the result new things are known. Amongst them that Dreijer “can be struck by despair but also by the big feeling of love and awe”. Dreijer declares “I know what love is and I want to show you”. Radical Romantics is the result of these realisations.

Read more...

Music Reissues Weekly: Jon Savage's 1980-1982 - The Art Of Things To Come

Kieron Tyler

Jon Savage's 1980-1982 - The Art Of Things To Come continues a series which began in 2015 with 1966 - The Year The Decade Exploded, a compilation springing off from Savage’s book of the same name. A follow-up looked at 1965, but after that the series has marched forward chronologically.

Read more...

Suzanne Vega, Royal Festival Hall review - the years melt away

Liz Thomson

It’s almost 40 years, but I still vividly remember the excitement of hearing Suzanne Vega for the first time. Singer-songwriters had always mattered to me, even though I grew up in the vacuous era of glamrock and insipid teen idols such as David and Donny. Nor did much of what followed speak to me. Suddenly, a new voice was getting airplay...

Read more...

Album: slowthai - UGLY

Harry Thorfinn-

The years since slowthai’s Mercury Prize nominated debut have been patchy. There was the public reckoning after his oafish behaviour at the NME awards, but then he scored his first number one album a year later. He’s become a father but also struggled with his mental health

Read more...

We Are Scientists, Oran Mor, Glasgow review - fan service with a smile proves lacking

Jonathan Geddes

Although We Are Scientists onstage chat is always delivered with a light touch, there is truth running through it as well. Early on at this set their singer and guitarist Keith Murray quipped that he wouldn’t be needing his lucky charm for the evening, and in a way he was right.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...