Theatre Reviews
Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy scriptThursday, 11 July 2019![]()
Better than the 2001 film but likely to disappoint devotees of the book, Captain Corelli's Mandolin onstage works best as a reminder of the identifiable stagecraft of its director, Melly Still. Read more... |
Jellyfish, National Theatre review - Ben Weatherill's play hits the right notesThursday, 11 July 2019![]()
The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. Read more... |
Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives againWednesday, 10 July 2019![]()
Andrew Lloyd Webber and Tim Rice’s 1970 musical had a heavenly resurrection at Regent’s Park Open Air Theatre three years ago, with an encore run the following summer. Read more... |
Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meaningsTuesday, 09 July 2019![]()
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have done as much to stage plays about the pains and pleasures of the digital world; few venues have tackled the themes of race and gender in contemporary society more effectively. Read more... |
The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pillSaturday, 06 July 2019![]()
Time hasn't necessarily been kind to this slow-aborning West End transfer of a show first seen (and lauded) in its 2015 debut in Leicester and then again two years later for a summer run at the Menier Chocolate Factory. Read more... |
the end of history ..., Royal Court review - raises more questions than it answersThursday, 04 July 2019![]()
An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal... Read more... |
Dark Sublime, Trafalgar Studios review – sci-fi tribute is less rocket, more Reliant RobinWednesday, 03 July 2019![]()
This lovingly lo-tech visit to galaxies far far away is a curious proposition, which, while neither dark, nor sublime, does have its moments. Framed as a tribute to Seventies sci-fi in all its polyester-clad absurdity, it in fact reveals itself to be an exploration of the parallel emotional worlds we all inhabit, with hat-tips to Star Trek and Blake 7 along the way. Read more... |
Noises Off, Lyric Hammersmith review - farce doesn't catch fireWednesday, 03 July 2019![]()
Michael Frayn's Noises Off is a modern classic, a backstage sex farce that pokes affectionate fun at a profession he loves. And now Jeremy Herrin, one of our most accomplished directors, revives it for Lyric Hammersmith, where the play was premiered in 1982. Read more... |
Rust, Bush Theatre review - slender yet invigoratingTuesday, 02 July 2019![]()
The best kind of two-hander is the play about couples. And the most dramatic way of saying something about relationships is to show a couple who are in trouble, bad trouble. Crisis. Especially if they start off well together. Read more... |
Summer Rolls, Park Theatre review - racism laid bare to mixed resultsSaturday, 29 June 2019![]()
There’s a moment in Summer Rolls, at the Nguyen family dinner table, when a veil is briefly pulled back on the ugly racism so many Asian immigrant communities must endure in the UK. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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