tue 20/05/2025

Film Reviews

Camino Skies review - NZ documentary brings no surprises

Markie Robson-Scott

A documentary about six middle-aged Antipodeans, four women and two men, walking the 500 mile pilgrims’ path through France and Spain to the cathedral of Santiago de Compostela sounds uplifting, inspiring, even fun. Just the ticket, perhaps, when one's travel horizons are limited. But this soft-focus film fails to dig deeply enough into the lives and motivations of strangers thrown together with nothing much in common apart from grief, and sometimes not even that.

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Can You Keep A Secret? review - a bumpy ride

Matt Wolf

Featherweight is one thing, brainless is another. Can You Keep A Secret?, the romcom adapted by screenwriter Peter Hutchings from the 2003 novel by Sophie Kinsella, uneasily straddles the two until a conclusion that goes off the rails altogether and tumbles into the ludicrous.

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A Russian Youth, MUBI review - First World War setting, contemporary orchestra

Tom Baily

Alexander Tolotukhin’s debut film places the viewer into a microcosm of the first world war and frames the experience with a peculiar musical device.

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The Assistant review - riveting #MeToo drama

Demetrios Matheou

Harvey Weinstein is never mentioned in The Assistant, but the former movie mogul and convicted rapist looms large over this savagely relevant drama, which offers a vivid picture of what life might have been like for every one of the employees – male as well as female, victim or no – trapped in Weinstein’s evil little world. 

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Ema review - vibrant tale of anarchic mum seeking redemption

Demetrios Matheou

The great Chilean director Pablo Larraín specialises in dark psychological reflections on the past, notably his trilogy of Chilean dictatorship dramas – Tony ManeroPost Mortem and No – and his English-language debut about the personal aftermath of the JFK assassination, Jackie.

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Extraction, Netflix review - mercenary mayhem

Nick Hasted

This is what Avengers: Infinity War/Endgame co-creator Joe Russo and his Thor, Chris Hemsworth, did next.

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Sea Fever review - more ooze than aahs

Graham Fuller

When Sea Fever premiered at the Toronto International Film Festival last September, no one could have guessed its story about an Irish fishing trawler attacked by a giant jellyfish would in one respect prove prophetic. 

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Moffie review - heart rates will rise with Oliver Hermanus’ powerful war film

Joseph Walsh

Oliver Hermanus’ potent fourth feature Moffie certainly has a controversial film title. A homophobic slur, it can be translated from Afrikaans as "faggot".

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Selah and the Spades, Amazon Prime review - boarding-school cliques go gangster

Markie Robson-Scott

“They always try to break you down when you’re 17,” says queen bee Selah (Lovie Simone) in Tayarisha Poe’s impressive directorial debut. As leader of the Spades, one of the five Mafia-style ruling factions in the exclusive Haldwell boarding-school in Pennsylvania, Selah, with her waist-long braids and inscrutably cool managerial style, seems unbreakable. But not so fast.

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Earth and Blood, Netflix review - tense and broody thriller ultimately falls short

Adam Sweeting

There are quite a few good things to be said for Julien Leclerc’s Earth and Blood.

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Cuck review - tediously nihilistic

Matt Wolf

Deep from the heart of Trumpland comes Cuck, a deeply unpleasant film about a totally repellent character.

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Why Don't You Just Die! review - Russian roulette

Nick Hasted

It’s hard to feel sympathy for a young man plotting to stove his prospective father-in-law’s head in with a hammer.

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Who You Think I Am review - Juliette Binoche dazzles as she wrestles with dual identities

Joseph Walsh

With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth. And it’s a hoot from start to finish. 

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The Host review - implausible suspense thriller

Veronica Lee

A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is.

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Danger Close review - the Vietnam war from an Australian perspective

Adam Sweeting

The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand.

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Trolls World Tour review - a visual spectacle full of toe-tapping tunes

Joseph Walsh

The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t.

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