Film Reviews
A Hidden Life review - Nazism stoically refusedSaturday, 18 January 2020
Terrence Malick returns to his former greatness following three features of unscripted, all-star poesy, with this sombre biopic of sainted Austrian conscientious objector Franz Jägerstätter (August Diehl). Read more... |
Waves review - pulsating, rapturous, devastatingFriday, 17 January 2020
Trey Edward Shults’s extraordinary, music-driven third feature, set in a sparkling south Florida, stars a wonderful Kelvin Harrison Jr as 17-year-old Tyler, an African American high-school wrestler with bleached blond hair. Read more... |
Bombshell review – powerful, to a pointThursday, 16 January 2020
With Harvey Weinstein about to go on trial, the timing is particularly apt for a film that outlines the fall from grace of another media giant who used his powerful position to sexually victimise women. Read more... |
Uncut Gems review - relentless tale of gambling and the diamond tradeFriday, 10 January 2020
The Safdie brothers, Josh and Benny, once programmed a season of films entitled Emotional Sloppy Manic Cinema, and if sloppy is subtracted from that description, it’s a pretty accurate summation of their work here in Uncut Gems. This is edge-of-the-seat filmmaking, with vertiginous camerawork by Darius Khondji and a relentless, immersive soundscape of electronica and layered dialogue. Read more... |
Seberg review - lightweight script, heavyweight performanceFriday, 10 January 2020
It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony Mackie), and offers up a black power salute. Her intentions are unclear. Read more... |
1917 review – immersive, exemplary war filmThursday, 09 January 2020
The greatest war films are those which capture the terrifying physical and psychological ordeal that soldiers face, along with the sheer folly and waste of it all – Paths of Glory, Come and See, Apocalypse Now, Saving Private Ryan, most recently Dunkirk. Read more... |
The Runaways review - a road trip worth takingThursday, 09 January 2020
Oh how British indies love a road trip. Trekking across the rugged landscape, meeting a colourful cast of characters, realising it’s not the destination but the journey. Read more... |
In the Line of Duty review - brazen absurdityFriday, 03 January 2020
The dinosaur credentials of disgraced cop Frank Penny (Aaron Eckhart) litter his flat, from his battered old TV to his binning of his daily newspaper, bar the sports section. Read more... |
The Gentlemen review - it ain't woke but don't fix itThursday, 02 January 2020
Guy Ritchie enjoyed his greatest commercial success with 2019’s live-action fantasy Aladdin, the most atypical project of his career, but The Gentlemen finds him back on his best-known turf as a purveyor of mouthy, ultra-violent geezerism. Read more... |
Jojo Rabbit review - a risky balancing actTuesday, 31 December 2019
Just as Joker was the most divisive film of 2019, so Jojo Rabbit may take the mantle for the early months of 2020. The issue is not that director Taika Waititi is making a comedy about the Nazis – plenty of filmmakers have done that, from Mel Brooks to Tarantino – but the manner in which he goes about it. Read more... |
Liam Gallagher: As It Was, BBC Two review - no expletives deleted in exhausting rock-docMonday, 30 December 2019
Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed as Oasis came to a predictable halt. Read more... |
Long Day's Journey into Night review - Chinese art-house stunnerSaturday, 28 December 2019
Marketed as a couples-friendly romance, Bi Gan’s Long Day’s Journey into Night made a massive $37 million on its opening day in China but was subsequently denounced by irate viewers who felt they’d been conned into watching a neo-noir pastiche that bafflingly morphs into a journey into the hero’s unconscious mind. Read more... |
Best of 2019: FilmThursday, 26 December 2019
Another year gone, another year closer to complete Disney domination. Death, taxes, and the house of mouse buying every remaining film studio, the three certainties. But 2019 still packed some surprises. Old hands Scorsese and Tarantino hit late career highs, while indie gems Bait and Burning found worthy mainstream success. As the year comes to a close, our team of writers appraise their hits and misses of 2019. THE HITS Read more... |
Little Women review - a beguiling adaptationThursday, 26 December 2019
There have been countless film and TV adaptations of Louisa May Alcott’s beloved novel about four sisters coming of age during the American Civil War. This latest, by Greta Gerwig, may be the best of the lot. With its outstanding young cast and a modern sensibility that blows a feisty breeze through the well-worn period action, this is a joyful, moving, near flawless piece of filmmaking. Read more... |
The Courier review – lacklustre hit job goes bad in every waySaturday, 21 December 2019
The Courier is a split entity that comprises two interlinked parts. One half involves a silent Gary Oldman who occasionally becomes hysterically enraged, the other a furious Olga Kurylenko who is never allowed a moment of silence. Read more... |
Cats review - feline freakinessThursday, 19 December 2019
Tom Hooper’s freakily phantasmagoric visualisation of an already strange West End smash is a high-wire act risking the sniggers which greeted its trailer. And yet it never falls, sustaining a subtly hallucinatory, wholly theatrical reality. Read more... |
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