Film Reviews
The Irishman review - mobster masterclassThursday, 07 November 2019
Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Read more... |
The Aeronauts review - up, up and okayThursday, 07 November 2019
Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything. Read more... |
Brittany Runs a Marathon review - believable body positive parableSaturday, 02 November 2019
Brittany (Jillian Bell) is the unhappily overweight life of the party, numbing her lonely life with booze and acerbic one-liners as she nears 30. Read more... |
After the Wedding review - a high-tension gut punchFriday, 01 November 2019
How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. Read more... |
Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economyThursday, 31 October 2019
If the recent period of British history that has involved recession, austerity, the hostile environment and Brexit is to have chroniclers, who better than Ken Loach and his trusty screenwriter Paul Laverty. Their blend of carefully researched social realism and nail-biting melodrama is angry, shaming, essential. Read more... |
Doctor Sleep review - heartfelt return to the Overlook HotelWednesday, 30 October 2019
Stanley Kubrick’s The Shining ended in ice, Stephen King’s in fire which consumed the Overlook Hotel. King’s frightening, emotionally rich novel was written by an alcoholic about an alcoholic, Jack Torrance, and his suffering family. Read more... |
The Last Black Man in San Francisco review - gentle gentrification bluesSunday, 27 October 2019
San Francisco has rarely looked more unattainably golden than in Joe Talbot’s Sundance prize-winning gentrification parable. Read more... |
By the Grace of God review - a dark, meticulous drama from François OzonSaturday, 26 October 2019
This is a departure in every sense for François Ozon. Read more... |
The Addams Family review - more treat than trickFriday, 25 October 2019
Starting life as a comic strip in 1938, The Addams Family seems to have reinvented itself for every generation. It’s the story of an odd-ball family from ‘The old country’ (where that is geographically located is by-the-by), who love the grim and gothic. Their outlandish ways were neatly juxtaposed against the wholesome values of American suburbia. Read more... |
Monos review - teenage guerrillas raising havocThursday, 24 October 2019
In the opening scene of Alejandro Landes’s strange, beautiful but finally unsatisfying Monos, eight teenage guerrillas are playing football blindfold on a high mountain plateau. Why the blindfolds? Perhaps to warn us not to expect any light to be thrown on whys and wherefores in this unsettling, visually stunning film, with its echoes of Lord of the Flies and Apocalypse Now. Read more... |
Terminator: Dark Fate review – look who's backThursday, 24 October 2019
Sentient machines have taken over the Earth. The leader of the human rebellion is so effective that a robotic ‘terminator’ is sent back in time to ensure he’s never born. A guardian follows, to ensure he is. We’ve been here before. Read more... |
Black and Blue review - police thriller aims high and missesThursday, 24 October 2019
Police corruption has fuelled many a Hollywood thriller, but sadly Black and Blue is no Training Day or The Departed. Read more... |
Maleficent: Mistress of Evil review - fantasy follow-up falls flatSaturday, 19 October 2019
Angelina Jolie is back again with those cut-glass cheekbones and ink-black wings, reprising her role as the self-proclaimed ‘Mistress of Evil’, in Joachim Rønning’s nauseating sequel to the 2014 live-action spin on Sleeping Beauty... Read more... |
Non-Fiction - adultery spices up digitisation dramaFriday, 18 October 2019
It isn’t provable whether adultery is more accepted in French bourgeois life than in that of other countries, but French films often suggest it’s nothing to get in a lather about. Read more... |
Zombieland: Double Tap review - dead dull redoThursday, 17 October 2019
Another unnecessary sequel: we’re used to this sort of thing. The film knows it, too, as lead dork Columbus (Jesse Eisenberg) meekly thanks the audience during the opening credits: “There are lots of options when it comes to zombie entertainment, so thank you for choosing us”. It’s a nice line, but feels like an apology for the film industry. “Bad films are everywhere, but this is the least bad”, he could have said. Fair enough. Read more... |
Official Secrets review – powerful political thrillerThursday, 17 October 2019
Early in the political drama Official Secrets, Keira Knightley’s real-life whistleblower Katharine Gun watches Tony Blair on television, giving his now infamous justification for the impending Iraq War, namely the existence of weapons Read more... |
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