Film Reviews
DVD/Blu-ray: MoffieTuesday, 14 July 2020
Characterised by jarring juxtapositions of intense, appalling violence and the serene beauty of South Africa, Oliver Hermanus’ fourth feature is the story of a young man coming to terms with his sexuality against the background of apartheid and prejudice. Read more... |
Love Sarah review - missing key ingredientsSaturday, 11 July 2020
The cakes look great, but it's back to the recipe books in almost every other way for Love Sarah, a subpar film from director Eliza Schroeder about the struggles of a west London patisserie in the age of Brexit. Read more... |
Scoob! review - mostly bark, little biteSaturday, 11 July 2020
Scooby fans have waited over 50 years for a proper big screen adaptation of everyone’s favourite cowardly dog (sorry Cartoon Network’s Courage). Read more... |
Finding The Way Back review - alcoholism on the reboundFriday, 10 July 2020
Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking tale of male fragility and addiction. His latest Finding The Way Back is a potent, raw drama that explores similar terrain and reunites him with Ben Affleck (they last worked together on The Accountant). Read more... |
Litigante review - an unflashy film which rings trueFriday, 10 July 2020
Colombian director Franco Lolli’s debut feature Gente de Bien (2014) was a hit at several international film festivals, and Litigante should burnish his reputation further. Read more... |
The Old Guard review - serious sillinessThursday, 09 July 2020
It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days. Read more... |
Homemade review - laughs, loss and madness in lockdownSaturday, 04 July 2020
If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when the practical and emotional conditions of doing anything at the moment – in lockdown – invariably become, in some way, the subject. Read more... |
Back Roads review - nice cheekbones, not much elseFriday, 03 July 2020
Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this adaptation of a 1999 novel by co-screenwriter Tawni O’Dell is preposterously self-serious and doesn’t augur well for a hyphenate career for leading man Alex Pettyfer, the English actor (of Magic Mike fame) here doubling for the first time as director. Read more... |
Family Romance, LLC review - the chameleon bluesFriday, 03 July 2020
Werner Herzog’s appearance in The Mandalorian paid for this deadpan, documentary-like slice of extreme Japanese life, suggesting how the director’s amusingly doomy Teutonic persona... Read more... |
Lynn + Lucy review - a bruising tale of female friendshipThursday, 02 July 2020
British director Fyzal Boulifa makes his feature film debut with a bruising account of female-friendship torn apart by personal tragedies and gossipmongers, on a council estate in Harlow. Read more... |
A White, White Day review - white heatSaturday, 27 June 2020
This Icelandic film begins in the titular land of steam, as rain and mist envelop an erratic car which soon tumbles to its doom. Read more... |
On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colourFriday, 26 June 2020
On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, Read more... |
The Dead and the Others review – dreamlike journey set in indigenous Brazilian communityFriday, 26 June 2020
The Dead and the Others won the Un Certain Regard Jury Prize at Cannes in 2018, perhaps due to the supreme devotion to subject and place that this macabre work exhibits. It is a film of startling visual power and mood, with a drifting storyline that becomes bizarrely captivating. Read more... |
Fanny Lye Deliver’d review - blistering English civil war westernThursday, 25 June 2020
Ten years in the making, Thomas Clay’s third feature, starring Charles Dance and Maxine Peake, is a remarkable and potent example of genre-splicing British independent filmmaking. Read more... |
The Booksellers review – a deep dive into the eccentric world of booksellingTuesday, 23 June 2020
Picture an antiquarian book dealer. Typically, it’s all Harris Tweed, horn-rimmed specs, and a slight disdain for actual customers. At the beginning of D.W. Read more... |
Joan of Arc review – tough little numberSaturday, 20 June 2020
Jeanne d’Arc was 19, she believed, when she was tried for heresy by her English enemies in Rouen in 1431. Of the actors who have played her onscreen – Falconetti, Ingrid Bergman, Jean Seberg, Leelee Sobieski, Milla Jovovich among them – none has evinced more wolf-cub-like fierceness or childlike purity of purpose than does Lise Leplat Prudhomme. Read more... |
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