Film Reviews
Artemis Fowl review - flash bang nothingSaturday, 13 June 2020
It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Read more... |
Echo in the Canyon review – California droopin'Saturday, 13 June 2020
Echo in the Canyon is a lamentably thin documentary about the vibrant folk-rock music scene that flourished in the bohemian Los Angeles neighbourhood of Laurel Canyon from 1965 to 1967. Read more... |
Da 5 Bloods review - Spike Lee takes on the black GIs' experience in VietnamFriday, 12 June 2020
Spike Lee’s ambitious tale of five American veterans returning to Vietnam to settle unfinished business, should have opened out of competition at Cannes last month. He was set to become the first African American film-maker to head the festival jury. Read more... |
The King of Staten Island review - Apatow's best work in a decadeWednesday, 10 June 2020
The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/writer/producer like Apatow has room for growth. Read more... |
Banana Split review - likable if essentially timid romcomTuesday, 09 June 2020
Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend whom they have shared. Read more... |
Days of the Bagnold Summer review - wry suburban dramaSaturday, 06 June 2020
Simon Bird's feature film debut as a director is a gentle, warm-hearted look at a mother and son's strained relationship as they are forced to spend the summer holidays together when the teenager's dad... Read more... |
Guest of Honour review – the grip of guiltFriday, 05 June 2020
A master at bringing neurotics to bilious life on screen, David Thewlis shines as a peevish, corrupt health inspector in Guest of Honour. Read more... |
A Rainy Day in New York review - one of Woody's later, patchy onesThursday, 04 June 2020
Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation, he has kept directing. Read more... |
The Last Full Measure review - exceptional performances elevate middling Vietnam war dramaThursday, 04 June 2020
It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Read more... |
The Vast of Night review - perfectly paranoidSaturday, 30 May 2020
The Vast of Night’s premise scarcely guarantees originality. Read more... |
Krabi, 2562 review - a trance-like visitationFriday, 29 May 2020
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi is one such location, made famous by such films as The Beach and The Man with a Golden Gun. Read more... |
The Uncertain Kingdom review - Britannia agonistesFriday, 29 May 2020
The Uncertain Kingdom is a VOD anthology of 20 short films, 10 directed by women, comprising a tapestry of life in – and, in one case, outside – Brexit-era Britain. Though hope, humour, and whimsy were threaded into the project, its dominant fabric is grey. Read more... |
The High Note review - Tracee Ellis Ross shines in so-so music dramedyThursday, 28 May 2020
Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson are still likely to win audiences over. Read more... |
Have a Good Trip, Netflix review - a breezy journey into the mindSaturday, 23 May 2020
Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind? Read more... |
Women Make Film: Part Two review - two steps forward, one step backFriday, 22 May 2020
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. Read more... |
Women Make Film: Part One review - a mesmerising journey of neglected filmThursday, 21 May 2020
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female... Read more... |
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