Film Reviews
Eternal Beauty review - imagination in every frameFriday, 02 October 2020
Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well. Read more... |
The Trial Of The Chicago 7 review – blistering docudrama that speaks to our timesThursday, 01 October 2020
Aaron Sorkin’s latest powerhouse drama couldn’t come at a more opportune moment. Read more... |
Miss Juneteenth review - a ray of Texan sunshineFriday, 25 September 2020
Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth opts for a much more nuanced approach, using the pageant as a focal point for a mother and daughter navigating their difficult present and possible future. Read more... |
Monsoon review - like something almost being saidThursday, 24 September 2020
Building very promisingly on the achievement of his debut feature Lilting from six years ago, in Monsoon Hong Khaou has crafted a delicate study of displacement and loss, one that’s all the more memorable for being understated. Read more... |
Enola Holmes review – a new Sherlock-related franchise is afootWednesday, 23 September 2020
It’s no secret that Arthur Conan Doyle’s most famous creation lays claim to more appearances on screen than any other fictional character. Over the past several decades, we’ve seen Sherlock as a pugilist action-hero, a modern-day sleuth, and in a painfully unfunny slapstick guise. Read more... |
Bill & Ted Face the Music review - modestly delightfulSaturday, 19 September 2020
Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their stars’ careers) are too superannuated to revive. Read more... |
Hendrix and the Spook review - a search for clarity in murky watersSaturday, 19 September 2020
September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a documentary exploring the vexed question: was it murder, suicide or a tragic accident? Read more... |
Nocturnal review - an impossible loveFriday, 18 September 2020
The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis) and 17-year-old Laurie (Lauren Coe) gaze across a body of seawater to a miniature chemistry set – a tract of illuminated industrial buildings and smoke-belching cooling towers. Read more... |
Rocks review - impressively well-crafted neo-realist dramaThursday, 17 September 2020
Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the current climate. It really should be experienced in a cinema as the camerawork by Hélène Louvart is stunning and the sound design is excellent. Read more... |
The Devil All The Time review – a test of faith in a Southern Gothic traditionThursday, 17 September 2020
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of good and evil like Jacob at Penuel. Read more... |
Max Richter's Sleep review - refreshing as a good night's restSaturday, 12 September 2020
If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Read more... |
Broken Hearts Gallery review - effortfully entertainingFriday, 11 September 2020
Remember when romcoms didn't try so hard? Read more... |
Savage review - an immersive look at gang culture in Wellington, New ZealandThursday, 10 September 2020
Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for Wellington, where the film is set) tattooed on your face, like... Read more... |
The Painted Bird review - bestial horror conveyed with beautyWednesday, 09 September 2020
Based on a novel by Jerzy Kosinski, The Painted Bird is an extraordinarily powerful chronicle of a young Jewish boy’s survival in Eastern Europe, the scene of some of the most terrible violence, inhumanity, and depredation during the Second World War. The Czech director Vacláv Marhoul worked on the Read more... |
Sócrates review - pain and grief on the Brazilian coastWednesday, 09 September 2020
In the course of this short (65 minute) film, 15-year-old Sócrates wanders around Santos, in the state of Brazil’s São Paolo, and the nearby coast after the death of his mother, rejected at one point or another by everyone with whom he comes in contact, just as he rejects the worst options. Read more... |
Les Misérables review - exhilarating French policierMonday, 07 September 2020
The only thing confusing with Les Misérables is its pointedly provocative title, as there are no costumed urchins and no singing involved. Searching online to find the UK cinemas where it’s playing this week entails a trek past the execrable 2012 musical of the same name, but it’s well worth tracking down a screen that's showing this exhilarating and intelligent new fi Read more... |
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