wed 21/05/2025

Film Reviews

Collective review - waging war on corruption

Graham Fuller

It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of corrumpere, “to mar, bribe, destroy” – was first associated with putrefaction.

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Uncle Frank review - well-acted but painfully contrived

Matt Wolf

A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past.

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Another Round review - delight and despair

Joseph Walsh

You can practically smell the fumes coming off Thomas Vinterbergs latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood alcohol level that is 0.05 percent too low.

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Possessor review - death by virtual reality

Adam Sweeting

Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature.

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Hillbilly Elegy review - misery in the heartland

Graham Fuller

Published in June 2016, J.D.

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Leap of Faith review – Alexandre O. Philippe examines ‘The Exorcist’

Joseph Walsh

Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind the camera but in front of it, spiritedly discussing the genesis of his horror masterpiece with Philippe.

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No Hard Feelings review - tough-minded yet tender

Matt Wolf

Love triangles rarely feel more truthful or more tender than in No Hard Feelings, a beautiful film that announces debut director Faraz Shariat as a filmmaker worth reckoning with.

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Billie review – new documentary captures the rebel

Joseph Walsh

Listen to "The Blues are Brewin", "You Better Go Now", or even "Ill be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience.

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Words on Bathroom Walls review - well-meaning but glib

Matt Wolf

Adam (Charlie Plummer) is being tested for glaucoma at the start of Words on Bathroom Walls, the director Thor Freudenthal's adaptation of Julia Walton's 2017 Young Adult novel.

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The Three Kings review – saluting Busby, Shankly and Stein

Graham Fuller

If Shakespeare had lived in post-war Britain, he surely would have dramatised the careers of the three towering contemporaneous Scottish football managers whose visions of how football should be played and its importance to ordinary people left a greater impact on the nation’s selfhood than any 20th century political...

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Queen of Hearts review - Trine Dyrholm stars as a stylish sexual predator

Markie Robson-Scott

“Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.

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Luxor review - Andrea Riseborough stars in cathartic drama about healing old wounds

Joseph Walsh

Zeina Durras sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait.

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Relic review – a deadly disappearing act

Graham Fuller

The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor.

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The Witches review – new take lacks magic

Joseph Walsh

 A long shadow looms over Robert Zemeckisnew take on Roald Dahls classic 1980s book The Witches, starring Octavia Spencer, Anne Hathaway and newcomer Jahzir Bruno.

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Mogul Mowgli review - displacement and generational trauma

Owen Richards

When Mogul Mowgli was first announced, it was fair to expect something of a realist biopic. After all, you had documentary director Bassam Tariq and actor/musician extraordinaire Riz Ahmed helming a film about a British-Pakistani rapper.

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Shirley review - hothouse art film about American horror writer

Saskia Baron

Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious.

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