Film Reviews
Undine review - respecting the nymphWednesday, 07 April 2021
Illogical in its twists and turns, elusive as a fading dream but not stylistically dreamy – Christian Petzold’s optimistic romantic tragedy Undine is a ciné-conundrum par excellence. Read more... |
Wilderness review – 'what comes after besotted?'Monday, 05 April 2021
Wilderness has close-ups. And intimacy. And glorious empty beaches. A couple – John (James Barnes) and Alice (Katharine Davenport) – first meet outside the back door of a jazz club. They become completely infatuated with each other. We see them heading off to a seaside cottage in a 1960s Volvo sports car. Read more... |
Godzilla vs. Kong review - let battle commence (again)Friday, 02 April 2021
All is harmony as another day breaks in paradise. Kong yawns and stretches luxuriously, his furry brown musculature surely paying homage to Burt Reynolds’ iconic yet discreet Playgirl centrefold. Bobby Vinton croons Over the Seas over invisible speakers as the giant ape showers in a waterfall. If only Godzilla vs. Read more... |
The Drifters review - lovers-on-the-run with little moral depthFriday, 02 April 2021
The Drifters remakes the romance crime genre by placing the main themes of rebellion and freedom in the context of the race and migration divisions of present day Britain. It is a noble mission for a debut by British director Benjamin Bond. Read more... |
The Mauritanian review – moving 9/11 dramaThursday, 01 April 2021
Whether he’s making documentaries or dramas, director Kevin Macdonald has an eye for the bleak moments in our history, and a dynamic way of recreating them, from the Oscar-winning doc Four Days in September, about the Munich massacre, to the fictionalised account of the Ugandan dictator Idi Amin, The Last King of Scotland, which at times played like a horror film. Read more... |
Memories of My Father review - the richness of childhood, the cruelty of historySaturday, 27 March 2021
Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-... Read more... |
Stray review - a delightful portrait of a dog named ZeytinSaturday, 27 March 2021
It’s a dog’s life, this lockdown; if only I could meet my friends whenever I want to and roam around freely without obeying these annoying restrictions! Read more... |
Six Minutes to Midnight review - Judi Dench retains her dignityFriday, 26 March 2021
It can't be easy maintaining dignity when everyone in your vicinity is losing theirs. But that's the position in which the inimitable Judi Dench finds herself in Six Minutes to Midnight, a bewildering movie in which star and co-author, Eddie Izzard, spends a lot of time running hither and yon even as the film itself refuses to budge. Read more... |
Amber and Me review - sensitive documentary about twin girls, one with Down SyndromeFriday, 19 March 2021
This heartfelt documentary follows twin girls who are just starting primary school. We first meet Amber struggling to pop her head through her shirt, helped by her sister Olivia. Read more... |
Minari review - a Korean family searches for the American dreamThursday, 18 March 2021
“David, don’t run,” is the refrain that runs through the first scenes of Lee Isaac Chung’s affecting, autobiographical Minari, acclaimed at Sundance, winner of a Golden Globe for best foreign language film (it’s mainly in Korean) and nominated for several Academy Awards. Read more... |
Verdict review - social realism and court procedural combine in powerful Manila dramaSaturday, 13 March 2021
There’s something of an anomaly in Filipino director Raymund Ribay Gutierrez’s debut feature between its fast-moving dramatic opening, defined by an agile hand-held camera, and the much slower, more static scenes that follow. Read more... |
Wander Darkly review - bold psychodrama falls shortSaturday, 13 March 2021
Like the sun-happy LA of this film’s setting, there’s a hard-to-pinpoint sham quality to Wander Darkly. It feels like too much phoney dialogue crept in to the final script of this “serious” film by writer-director Tara Miele. Read more... |
The Columnist review - taking out the trollsFriday, 12 March 2021
There aren't many unforgettable moments in The Columnist, but one occurs when the eponymous Dutch journalist Femke Boot (Katja Herbers) clambers from the skylight of her house and, unseen by her middle-aged neighbour (Rein Hofman), who's doing DIY on his roof, tips him to his death on his patio. Read more... |
Mouthpiece review - double entendre in TorontoWednesday, 10 March 2021
Cassandra and her sister – or perhaps they’re friends or lovers – seem extraordinarily in tune. Like choreographed dancers, they move precisely in unison, down to tripping over their scarves at the same moment or flopping drunkenly into bed together while a cell phone buzzes beside them unanswered, on and on into the night. Read more... |
Berlinale 2021: Petite Maman review – magical musings on the parent-child relationshipSaturday, 06 March 2021
Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom that is all-embracing. Read more... |
Poly Styrene: I Am a Cliche review - memorialising her motherSaturday, 06 March 2021
There was always something a little diffident about teenage Marion Elliott-Said, who created her on-stage persona Poly Styrene after putting together her band X-Ray Spex from a small ad in the back pages of the NME in 1977. Read more... |
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