Film Reviews
The Mole Agent review - leftfield and charming documentaryFriday, 11 December 2020
The Chilean director Maite Alberdi makes warm, witty, empathetic, fly-on-the-wall documentaries, whose subjects are always surprising. Read more... |
American Utopia review - the new age of the concert movieFriday, 11 December 2020
American Utopia is not your average Spike Lee joint. He has teamed up with David Byrne of Talking Heads to make a concert movie based on Byrne’s lauded Broadway show of the same name, which opened in October 2019 in a limited run. After the success, Byrne invited Lee to direct this screen version. Read more... |
The Midnight Sky review – flawed but moving apocalyptic sci-fiThursday, 10 December 2020
The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn incomers to stay the hell away. As science-fiction premises go, it feels rather apt. Read more... |
The Prom review - merry Meryl in middling musicalWednesday, 09 December 2020
Four Broadway denizens resolve to change the world "one lesbian at a time" in the cheerful if often cheesy The Prom, the film adaptation of a recent Broadway musical that continually reminds you of at least a half-dozen similar... Read more... |
Host review - Zoom seance triggers unspeakable consequencesSaturday, 05 December 2020
Lockdowns must be good for something, right? Read more... |
Falling review - Viggo Mortensen's powerful directorial debutFriday, 04 December 2020
“California is for cocksuckers and flag-burners. Did they know you were a fag in the army?” Willis (Lance Henriksen; best known as Bishop in Alien) asks his son John (Viggo Mortensen), now living in LA with his husband Eric and their adopted daughter Monica. Read more... |
County Lines review - a scary descent into drug-dealer purgatoryThursday, 03 December 2020
This debut feature by writer/director Henry Blake is a shocking and remarkably assured drama about the “county lines” trade, where children are used as drug traffickers. Read more... |
Mank review – David Fincher’s brilliant, bitter-sweet paean to Hollywood’s Golden AgeWednesday, 02 December 2020
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw virus-conscious punters back to the big screen. The assertion was always fanciful, the pandemic being too long a haul; with no disrespect to Christopher Nolan, the fanfare around his latest spoke more of industry desperation than reality. Read more... |
Collective review - waging war on corruptionWednesday, 02 December 2020
It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of corrumpere, “to mar, bribe, destroy” – was first associated with putrefaction. Read more... |
Uncle Frank review - well-acted but painfully contrivedSaturday, 28 November 2020
A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past. Read more... |
Another Round review - delight and despairFriday, 27 November 2020
You can practically smell the fumes coming off Thomas Vinterberg’s latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood alcohol level that is 0.05 percent too low. Read more... |
Possessor review - death by virtual realityThursday, 26 November 2020
Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature. Read more... |
Hillbilly Elegy review - misery in the heartlandWednesday, 25 November 2020
Published in June 2016, J.D. Read more... |
Leap of Faith review – Alexandre O. Philippe examines ‘The Exorcist’Friday, 20 November 2020
“Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind the camera but in front of it, spiritedly discussing the genesis of his horror masterpiece with Philippe. Read more... |
No Hard Feelings review - tough-minded yet tenderSaturday, 14 November 2020
Love triangles rarely feel more truthful or more tender than in No Hard Feelings, a beautiful film that announces debut director Faraz Shariat as a filmmaker worth reckoning with. Read more... |
Billie review – new documentary captures the rebelFriday, 13 November 2020
Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. Read more... |
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