Film Reviews
The Assistant review - riveting #MeToo dramaThursday, 30 April 2020
Harvey Weinstein is never mentioned in The Assistant, but the former movie mogul and convicted rapist looms large over this savagely relevant drama, which offers a vivid picture of what life might have been like for every one of the employees – male as well as female, victim or no – trapped in Weinstein’s evil little world. Read more... |
Ema review - vibrant tale of anarchic mum seeking redemptionWednesday, 29 April 2020
The great Chilean director Pablo Larraín specialises in dark psychological reflections on the past, notably his trilogy of Chilean dictatorship dramas – Tony Manero, Post Mortem and No – and his English-language debut about the personal aftermath of the JFK assassination, Jackie. Read more... |
Extraction, Netflix review - mercenary mayhemFriday, 24 April 2020
This is what Avengers: Infinity War/Endgame co-creator Joe Russo and his Thor, Chris Hemsworth, did next. Read more... |
Sea Fever review - more ooze than aahsFriday, 24 April 2020
When Sea Fever premiered at the Toronto International Film Festival last September, no one could have guessed its story about an Irish fishing trawler attacked by a giant jellyfish would in one respect prove prophetic. Read more... |
Moffie review - heart rates will rise with Oliver Hermanus’ powerful war filmThursday, 23 April 2020
Oliver Hermanus’ potent fourth feature Moffie certainly has a controversial film title. A homophobic slur, it can be translated from Afrikaans as "faggot". Read more... |
Selah and the Spades, Amazon Prime review - boarding-school cliques go gangsterSaturday, 18 April 2020
“They always try to break you down when you’re 17,” says queen bee Selah (Lovie Simone) in Tayarisha Poe’s impressive directorial debut. As leader of the Spades, one of the five Mafia-style ruling factions in the exclusive Haldwell boarding-school in Pennsylvania, Selah, with her waist-long braids and inscrutably cool managerial style, seems unbreakable. But not so fast. Read more... |
Earth and Blood, Netflix review - tense and broody thriller ultimately falls shortSaturday, 18 April 2020
There are quite a few good things to be said for Julien Leclerc’s Earth and Blood. Read more... |
Cuck review - tediously nihilisticFriday, 17 April 2020
Deep from the heart of Trumpland comes Cuck, a deeply unpleasant film about a totally repellent character. Read more... |
Why Don't You Just Die! review - Russian rouletteFriday, 17 April 2020
It’s hard to feel sympathy for a young man plotting to stove his prospective father-in-law’s head in with a hammer. Read more... |
Who You Think I Am review - Juliette Binoche dazzles as she wrestles with dual identitiesThursday, 16 April 2020
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth. And it’s a hoot from start to finish. Read more... |
The Host review - implausible suspense thrillerThursday, 16 April 2020
A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is. Read more... |
Danger Close review - the Vietnam war from an Australian perspectiveSaturday, 11 April 2020
The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand. Read more... |
Trolls World Tour review - a visual spectacle full of toe-tapping tunesThursday, 09 April 2020
The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t. Read more... |
The Beast review - bad cop bluesThursday, 09 April 2020
“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue promotion. Read more... |
The Iron Mask review - preposterous multi-national fantasyWednesday, 08 April 2020
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan... Read more... |
The Platform review - timely, violent and effectiveSaturday, 04 April 2020
Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter, a brutal, blunt and effective sledgehammer. Read more... |
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