Film Reviews
Godzilla: King of the Monsters review – spectacular stupiditySaturday, 01 June 2019
Just how many cinematic universes can one planet stand? Gareth Edwards’ 2014 Godzilla and Kong: Skull Island’s Apocalypse Now/ape mash-up suggested there might be useful room for old-school creature features amidst the superhero surfeit. Read more... |
Freedom Fields review - Libya’s next freedom fightersSaturday, 01 June 2019
Set in the months and years after the Libyan revolution, Freedom Fields follows several women aiming to compete in international football. The documentary finds the players excitedly preparing for their first overseas tournament. Read more... |
Thunder Road review - potent and poignant debut featureThursday, 30 May 2019
This is a painful and poignant study of character-disintegration, and a triumph for its writer, director and star Jim Cummings. He plays small-town police officer Jim Arnaud, a man trying to do his best while a rising sea of troubles threatens to drown him. Read more... |
Booksmart review - teen sex comedy with shallow feminist credentialsWednesday, 29 May 2019
The release of Booksmart is perfectly scheduled for half term, this high school buddy comedy is guaranteed to tempt youngsters away from their exam revision. It’s fast and funny and packed with squirm-inducing sex gags and a peppy soundtrack. Its heroes are Molly (Beanie Feldstein) and her best friend Amy (Kaitlyn Deaver), the class swots who forswore all extra-curricular fun in order to study hard and get into top universities. Read more... |
Haley Fohr: Salomé, Brighton Festival 2019 review – potently camp debauchMonday, 27 May 2019
Haley Fohr’s disquiet at the “wildly outmoded” sexual politics of this notorious 1923 Wilde adaptation led her to cut its intertitles, relying only on sometimes delirious imagery and her throbbing live score. Read more... |
Cannes 2019: Matthias & Maxime review - a gently charming new dramaSaturday, 25 May 2019
It has been ten years since Canadian auteur Xavier Dolan first debuted I Killed My Mother at the Cannes Film Festival. Read more... |
Too Late To Die Young review - an absorbing, Chilean coming-of-ageSaturday, 25 May 2019
Chilean Dominga Sotomayor’s third feature is a beautifully crafted example of the kind of Latin drama that is slow-burn and sensorial, conveying emotion through gestures and looks rather than dialogue or action. Nothing much seems to be happening, but before you know it you’ve been completed sucked in. Read more... |
Cannes 2019: Parasite review - hilarious and horrifyingFriday, 24 May 2019
Like Snowpiercer before it, Bong Joon-ho’s rage-fuelled satire Parasite puts class inequality squarely in its sights. Read more... |
Cannes 2019: Once Upon a Time... In Hollywood review - sun-soaked black comedyThursday, 23 May 2019
Moments before Quentin Tarantino’s blistering, outrageous work screened at Cannes, a message was delivered on behalf of the director, asking reviewers to avoid spoilers. It’s easy to see why. There’s a lot of pleasure in the film’s initial shock value, So yes, let’s avoid spoilers. But the surprises aren’t what make this film so good. Read more... |
John McEnroe: In the Realm of Perfection review - a fascinating oddityWednesday, 22 May 2019
Film buffs who are also tennis fans (there must be quite a few of us who fit in that particular Venn diagram) will love this quirky and experimental documentary by Julien Faraut, which uses archive footage and narration to examine the idea of a shared passion for cinema and sport, and how they may unite on film. Read more... |
Cannes 2019: Diego Maradona review - entertaining but skin-deepTuesday, 21 May 2019
Director Asif Kapadia's documentary on the controversial 1980s sporting legend Diego Maradona premiered at Cannes this week, and there's something unsatisfying about the fact it doesn't have a one-word title. Read more... |
Cannes 2019: Too Old to Die Young - nightmarish LA noirMonday, 20 May 2019
This year, Cannes has been adamantly defending traditional cinema, with more than a few jibes at Netflix (who remain persona non grata at the festival), but that hasn’t stopped them screening two episodes of Nicolas Winding Refn’s new Amazon TV series, Too Old To Die Young. Read more... |
Last Stop Coney Island review - the life and photography of Harold FeinsteinMonday, 20 May 2019
This is a real passion project; British filmmaker Andy Dunn spent years building up a relationship with the late American photographer Harold Feinstein, filming him at work and interviewing friends, family and colleagues. The result is a loving portrait of a remarkable man. Read more... |
Cannes 2019: Pain and Glory review - a dour, semi-autobiographical portraitSunday, 19 May 2019
There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as Salvador Mallo, a director in the latter stages of his career. Read more... |
Tucked review - dispiriting British drag queen dramaSunday, 19 May 2019
It would be great to herald this low-budget drama about an elderly drag queen and his friendship with a young gay singer-songwriter as a little gem of British indie cinema. Read more... |
Birds of Passage review - mesmerising Colombian family sagaSaturday, 18 May 2019
“Do you know why I’m respected?” demands Ursula (Carmiña Martinez), a Wayuu matriarch in La Guajira in northern Colombia, of Rapayet (José Acosta), who wants to marry her daughter Zaida (Natalia Reyes, soon to star in James Cameron’s Terminator reboot). “Because I’m capable of anything for my family and my clan.” Read more... |
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